Erin McGorlick

A$0.00

Let’s chat

recycled op shop plastic, milk carton, nylon cord, 110mm x 45mm, 2026.

0 Responsibility

recycled op shop plastic, milk carton, cotton thread, 85mm x 100mm, 2026.

DO NOT reply

recycled op shop plastic, milk carton, steel, 60mm x 55mm, 2026.

Pretty Shit Text

recycled op shop plastic, sterling silver, 40mm x 80mm, 2026.

In Person

recycled op shop plastic, milk carton, nylon cord, 100mm x 100mm, 2026.

Get Over Yourself

recycled op shop plastic, milk carton, steel, 65mm x 70mm, 2026.

Out of Proportion

recycled op shop plastic, metallic cord, 100mm x 85mm, 2026.

You and Your Feelings

recycled op shop plastic, milk carton, metallic cord, 100mm x 100mm, 2026.

‘This series, ‘Someone has a problem’, explores the words people write when they are separated from the person they are addressing. Text messaging creates a psychological distance, and the screen acts as a protective shield —words can be typed that may be uncomfortable or impossible to say in person. Crafted from disposable plastic instead of precious metal, these pieces take fragments from a text message containing confrontational language and transforms them in a material as disposable as the words themselves. Words become physical objects to be worn intimately on the body rather than temporary digital exchanges. Language that was never intended to be spoken aloud is made visible and physical. The jewellery becomes a permanent record of communication of words that were said but not spoken. If silver has become too costly to shape into meaning, perhaps the things we value — and the words we use to hurt one another — have become disposable too.’

Erin McGorlick is an emerging contemporary jeweller exploring the position of her practice through material experimentation and the use of found objects, often incorporating toys that evoke nostalgic ties to 1990s rave culture. Her work draws on pop culture, resulting in playful, evocative pieces designed to be worn. Shaped by her upbringing in the 90s rave and club scenes, Erin channels the era’s fashion and music into her practice, infusing her work with energy and cultural memory. Music remains a central influence, with lyrics, text, and language frequently embedded in her designs.

@i.am.toutdoux

Let’s chat

recycled op shop plastic, milk carton, nylon cord, 110mm x 45mm, 2026.

0 Responsibility

recycled op shop plastic, milk carton, cotton thread, 85mm x 100mm, 2026.

DO NOT reply

recycled op shop plastic, milk carton, steel, 60mm x 55mm, 2026.

Pretty Shit Text

recycled op shop plastic, sterling silver, 40mm x 80mm, 2026.

In Person

recycled op shop plastic, milk carton, nylon cord, 100mm x 100mm, 2026.

Get Over Yourself

recycled op shop plastic, milk carton, steel, 65mm x 70mm, 2026.

Out of Proportion

recycled op shop plastic, metallic cord, 100mm x 85mm, 2026.

You and Your Feelings

recycled op shop plastic, milk carton, metallic cord, 100mm x 100mm, 2026.

‘This series, ‘Someone has a problem’, explores the words people write when they are separated from the person they are addressing. Text messaging creates a psychological distance, and the screen acts as a protective shield —words can be typed that may be uncomfortable or impossible to say in person. Crafted from disposable plastic instead of precious metal, these pieces take fragments from a text message containing confrontational language and transforms them in a material as disposable as the words themselves. Words become physical objects to be worn intimately on the body rather than temporary digital exchanges. Language that was never intended to be spoken aloud is made visible and physical. The jewellery becomes a permanent record of communication of words that were said but not spoken. If silver has become too costly to shape into meaning, perhaps the things we value — and the words we use to hurt one another — have become disposable too.’

Erin McGorlick is an emerging contemporary jeweller exploring the position of her practice through material experimentation and the use of found objects, often incorporating toys that evoke nostalgic ties to 1990s rave culture. Her work draws on pop culture, resulting in playful, evocative pieces designed to be worn. Shaped by her upbringing in the 90s rave and club scenes, Erin channels the era’s fashion and music into her practice, infusing her work with energy and cultural memory. Music remains a central influence, with lyrics, text, and language frequently embedded in her designs.

@i.am.toutdoux